Monthly Archives: September 2010

Warren Allen, PERFORMER Magazine

Boston-based band The Mystix has produced some good Southern fried soul music with the new release BLUE MORNING. Made up of Massachusetts and New York musicians, the group makes roots music with an ecstatic and loving sound. Singer and guitarist Jo Lily’s hoarse field calls practically beg to be heard in open air. He growls, purrs and shouts with a sound that isn’t quite country, isn’t quite New Orleans blues, but draws on both, with a helping of gospel thrown in.

The sound of warbling slide guitar in “Yolanda” and the groovy “Another Kind of Love” get the album started right. There are also covers of Jimmy Reed’s “I’m a Love You” and the Traveling Wilburys’ “Rattled”, both well-done, though not as memorable as the energetic originals by Lily and Bobby Keyes. Clumsy fade-outs mar a few tracks just when things seem to be getting good, but by the end the songs are given a chance to say all that they need to.

Bobby Keyes on electric guitar takes some adventurous solos and really grabs at the best parts of the blues. There are tunes (the lonesome country ballad “Which Side of Heartache” being one) that could fare better if it was just Keyes and Lily at work, without backing vocals or the rhythm section. That said, Marty Ballou on bass and Marty Richards and Dennis McDermott on drums do a fine job of laying roots and groove. Without them, the album would lose a healthy dose of honky-tonk bounce.

This is fun music that’ll have you wishing for summer, a cheap radio and a station that puts this kind of tasty stuff on the air. (MYSTIX EYES RECORDS) – Warren Allen

Mike Loce, The Noise

As the Mystix intrudes upon my morning awakening, I really can’t grab the words at first. This band, as early morning, go-to-the-job background, well, it really leaves a space between the mind and brain. For those who work the early, or “normal” shift of slavery to acquire the monies to pay thy rent and booze, I heartily recommend this. Okay, enough weird talk, this album GROOVES in the CCR way, funky low down blues-grooves with slide guitar-really great songs that could serve as an ass-kickin’ smooth drivin’ soundtrack for some new classic American film. Real pro musician quality (whatever that may be; make your own decision) permeates every song, and I love that twangy surf guitar. These guys know how to play, and they know how to play together. It’s refreshing to hear a veteran band like this in the midst of the Boston scene. Some bands got it, and the Mystix has it and uses it.